Students learn theater design through the power of play
MIT Theater faculty invite students to draw upon their personal experiences to create evocative set, sound, and lighting designs.
MIT Theater faculty invite students to draw upon their personal experiences to create evocative set, sound, and lighting designs.
Christopher Wang, a senior in EECS, shares his favorite study spaces, how he discovered theater at the Institute, and what he'll miss most.
The associate producer shares how arts initiatives bring different departments together in collaboration and community.
Using theatrical expressions of real-life situations, Emily Goodling's students study Germany's artistic response to global events.
Students from Course 5.111 (Principles of Chemical Science) were treated to a performance that brought to life the chemical structures and crystal field theory concepts covered in class.
The iconic sci-fi opera “VALIS,” first composed by Professor Tod Machover in 1987, reboots at MIT for a new generation.
Makan will lead special projects in his new role, while continuing to serve as head of the Music and Theater Arts Section.
Senior music lecturer Elena Ruehr turns Charles Babbage and Ada Lovelace, groundbreaking thinkers of modern computing, into crime fighters.
An MIT residency unlocks the dreamlike world of the dance-theater piece “The History of Empires.”
A contemporary reinterpretation of an 18th century ballet reveals the fragility of orientalist fantasies.
Through the MIT Mock Trial program, students hone their skills in public speaking, formulating arguments, and acting.
A cultural anthropologist, historians, a computational poet/computer artist, and a playwright receive funding for innovative research projects.
Senior Anjali Nambrath will graduate with majors in physics and mathematics, a minor in French — and a deep love for theater.
Associate professor of music Emily Richmond Pollock studies the way modern opera incorporates the new and the traditional.
Bilingual, interactive online publication asks how politics, economics, and social conflict shaped the Comédie-Française theater troupe’s repertory and impacted its finances.